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Monday, July 3, 2017
Another amazing day of live performances at Fitzgerald's American Music Festival. Some year, I'm going to save up, sleep up, take the week off and make it to all four days of the fest. But this year, day 2 more than delivered. I mean, Marshall Crenshaw backed by Los Straight Jackets covering Nick Lowe was more than worth the price of admission.
Regrettably, I bailed before Shiny Ribs and Shemika Copeland, but I did catch Semi Twang, the incredibly talented Liz Vice, Chicago Salty Dogs, The Tillers, Kevin Gordon, Terrance Simien, The Pines and Sarah Shook, along with Marshall Crenshaw and Los Straightjackets.
And it only took 35 years, but I finally got to see Marshall Crenshaw perform Someday, Someway live. The encore singalong of Nick Lowe's Cruel to Be Kind was sweet icing on this tasty musical cake.
Thank you, Fitzgerald's. See you next year.
Liz Vice at Fitzgerald's American Music Festival, July 1, 2017 (MikeBarzacchiniPhoto)
The third release from Triplicate, Stardust, is a 90-year-old Hoagy Carmichael song that's been covered thousands of times. Dylan holds his own with a lovely, soulful performance highlighted by sweet western guitar.
If there was any doubt, Triplicate's 30 classic covers affirm Dylan's sustained journey into the backroads of American standards. I'm enjoying the ride. Triplicate is set for release on March 31.
365 Days of Dylan, Day 67: Shot of Love from the 1981 album from the same name. Released just six years after Blood on the Tracks, it couldn't sound more different. This opening cut is all big beat, drums, bluesy bombastic vocals and stinging guitars. A lot of swagger in this song. Lyrics.
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365 Days of Dylan, Day 66: Fourth Time Around. Another great tune from Blonde on Blonde. Dylan details the intricacies of a complicated relationship with perhaps a few echos of Norwegian Wood. Hear also the starkly beautiful version by Chris Whitley.
When she said “Don’t waste your words, they’re just lies” I cried she was deaf And she worked on my face until breaking my eyes Then said, “What else you got left?” It was then that I got up to leave But she said, “Don’t forget Everybody must give something back For something they get”
365 Days of Dylan, Day 65: You're a Big Girl Now from 1975's Blood on the Tracks, one of my favorite albums. I love the interplay between the acoustic guitars at the start and Dylan's breathy, weary vocals. Lyrics.
I saw My Morning Jacket play before Dylan and Wilco a few years ago at Toyota Park in Chicago. On Chimes of Freedom, My Morning Jacket delivers a great rendition of this song.
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Yes, here’s the story of the Hurricane
The man the authorities came to blame
For somethin’ that he never done
Put in a prison cell, but one time he could-a been
The champion of the world
Did you go to SXSW in 2010? To paraphrase Mark Twain, one of the coldest winter days I ever spent was March 19 in Austin. Day temperatures did reach the 60s F, but lows dipped into the 30s. And as I recall, it was raw and windy much of the day. With visions of sundrenched Austin days, I had not packed for the weather.
Chuck Prophet at Momo's, SXSW 2010 (Mike Barzacchini photo)
Things heated up when I arrived at the now departed Momo's on west 6th Street. After a sizzling set by Jon Dee Graham, Chuck Prophet and the Mission Express took the stage at around 1 a.m.
Usually, SXSW showcase sets are a brief 30 minutes. Maybe because they were on last that night, Prophet and band delivered a marathon set by SXSW standards.
Along with his own great songs (Summertime Thing, You and Me Babe (Holding On), You Did (Bomp Shooby Dooby Bomp), Sonny Liston's Blues), he also paid tribute to Alex Chilton, who was scheduled to appear at SXSW on March 20 that year with Big Star. Unfortunately, he died on March 17.
Prophet is an exhilarating live performer and he more than delivered that night while draining every ounce of rock and roll energy from his audience. I staggered back to my hotel, smiling and exhausted at nearly 2:30 a.m., happy in the knowledge that I'd just experienced a rock show I'd not soon forget.
Written by Gordon Lightfoot and first released on his 1966 debut, Lightfoot!, I first came to know the song from Lightfoot's re-recording on 1975's Gord's Gold. His performance is light a favorite, warm comfortable sweater. Made me smile everytime it came on the radio. Still does. Though now the "radio" is often Spotify, YouTube or iTunes.
I've come to appreciate and enjoy Dylan's version too. Starts with a gentle, almost south-of-the-border guitar, piano and harmonica. He's a smooth, relaxed crooner on this one.
Need to go beyond Lightfoot or Dylan? You have plenty of choices. Peter, Paul and Mary, Ian & Sylvia, Judy Collins, Chad & Jeremy, Jerry Reed, Elvis Presley and Paul Weller all made the charts with a version of the song.
Yearning for home and the promise or hope brighter days ahead, Early Mornin' Rain is a perfect traveling song.
Gordon Lightfoot, live in Chicago, 1979
Peter, Paul and Mary
Jerry Reed
Ian & Sylvia with Gordon Lightfoot
Alison Krauss and Union Station
Paul Weller
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Remember that Tuesday night in March 2008 when we walked into Nuno's and Pinetop Perkins was playing?
Mike Barzacchini Photo
That's what I love about Austin and SXSW. Music everywhere and you never know who you're going to run into. What a kick to see Pinetop play in an intimate setting like Nuno's. Years before in either 1988 or 1989, he came on stage to play a song or two with Bonnie Raitt at a show I attended at Riverbend in Cincinnati. But this, this was something else all together.
Now Pinetop and Nuno's are no more. But the music and memories live.
I won't make it to SXSW this year, so I'm coping by reliving memories from my past six visits (while I'm making plans for SXSW 2018).
Stripped down instrumentation and solid songcraft, tinged with religious imagery gets Dylan back to his folk roots while hinting at his music's spiritual transformation in the late 1970s and early 1980s.
365 Days of Dylan, Day 59: Clean Cut Kid from 1985's Empire Burlesque. A raucous rocker that decries war, commercialism and the fate of American youth in modern society. And it has a beat. You can dance to it.
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Music by Matt Dennis, lyrics by Tom Adair. The Night We Called it a Day has been performed by many artists, including Chet Baker, Frank Sinatra and Diane Krall.
365 Days of Dylan, Day 57: Quinn the Eskimo (The Mighty Quinn).
Recorded by Dylan in 1967, The Mighty Quinn was first released by Manfred Mann who had a hit with the song in 1968. Dylan finally released the song on 1970's Self Portrait.
Kris Kristofferson, Lulu, The Grateful Dead, and The Hollies are among the artists who have sung about the legend of Quinn the Eskimo. Quinn the Eskimo lyrics.
First recorded by Tampa Red in 1940, Elmore James had a 1957 hit with the song. Junior Wells recorded the song a few times, first in 1962. Here's his version from Essential Blues Masters. This song is also recorde as "(When Things Go Wrong) It Hurts Me Too."
I'm less than a poor guitar player, but I'm going to try to figure out this classic eight-bar blues on my beat-up six-string. Hopefully, if you ever hear me play, it won't hurt you too.
Originally published in French in 1955 as "Je t'appartiens," the Everly Brothers had a hit with "Let it Be Me" in 1955. Dylan is one of dozens of other artists from Nancy Sinatra, Petula Clark and Elvis to Rod Stewert, Neil Diamond and Kenny Rogers who have covered the song.