Up, at 'em and on the road to the first Pilgrimage Fest. Some tough decisions about which acts to see. I predict some stage hopping in our future.
Excited to see Christone "Kingfish" Ingram open up the fest.
From there our plan is:
Holly Williams at noon;
Madisen Ward and The Mama Bear at 1:15 p.m.;
Hopefully, we'll catch some of Neko Case's set starting at 2 p.m.;
Iron and Wine or Will Hoge around the three-o'clock hour;
Really looking forward to Cage the Elephant at 3:30 p.m.;
Sheryl Crow at 4:30 p.m.;
The legend who is Dr. John at 5:45 p.m.;
And the end of Wilco's set wrapping up around 7:45 p.m.
That leaves out Punch Brothers, Nikki Lane and a whole lot of other great acts. But so far, right now, that's the plan and you know what's said about plans. Stay tuned for what really happens. And if you're at @PilgrimageFest this weekend shout at me @RadioBarz on Twitter.
Song of the year? Album of the year? Artist of the year? Works for me. And a new dad, too. "24 Frames" -The most striking worm ever to fabulously infect my ear.
The Beat Farmers almost ruined me for live music. Two dynamite shows at The Canal Street Tavern in Dayton, Ohio, July 1986 and September 1987, were the two most bombastic, wildly enjoyable live music experiences of my life. I could have stopped going to shows right then and lived off the memories of those two performances the rest of my life.
The Beat Farmers' music propelled me through mid- and late-1980s road trips, all-night listening parties and summer BBQs. The band mixed country western and rockabilly sensibilities with chunky, raw power chords. Imagine Buck Owens playing with ACDC. And they had a wild card like no other band before or since -- drummer, singer and raconteur Country Dick Montana.
I loved the originals like "Bigger Stones," "Never Going Back," "Riverside" and "Selfish Heart." And the Farmers had the best taste in covers, from Bruce Springsteen's "Reason to Believe" to Neil Young's "Powderfinger" and Country Dick's rowdy rendition of Johnny Cash's "Big River."
The Beat Farmers - Big River
Sadly, The story of The Beat Farmers ended with Country Dick Montana's untimely death on stage in 1995. But the band's legacy and my memories of two amazing nights at The Canal Street live on.
It's Friday. They are The Beat Farmers. Turn it up.
Because when you're out on the road alone and you know that you'll be alone when you arrive, the best thing to do is keep driving, even if the light keeps coming on. The original sends chills every time I hear it and it's a great live tune. Also love Kasey Chambers' cover.
Remember how I said Nancy Sinatra's "These Boots are Made for Walking" took me down a musical rabbit hole when I was six years old? Well, it happened again. And here I am at midnight listening to Nancy and Lee sing "Some Velvet Morning."
Talk about a song that sets a mood. "Some velvet morning when I'm straight / I'm gonna open up your gate / and maybe tell you 'bout Phaedra / and how she gave me life ..."
So trippy. So groovy.
I love the tension between Lee and Nancy's delivery in this song. There's a slight unsettling quality to Lee's vocals, like a guy coming out of a particularly good acid trip he desperately wants to return to, while Nancy or Phaedra is smooth and dreamy like, well, velvet.
Yes, "Houston" and "King of the Road" were both released a few years earlier than "These Boots...," but this was the 1960s when songs hung around longer than a wink and a whistle. One of the great things about discovering a breakthrough favorite song is that it takes you both back in time and into the future.
Written by long-time Sinatra collaborator and unsung American music legend Lee Hazelwood, "These Boots..." combined rock attitude with country sass. And Sinatra's delivery was pure rocket fuel.
"These Boots..." as been covered by artists as diverse as Loretta Lynn, Jewel and Megadeath. More recently, Kacey Musgraves has taken her boots for a spin and she delivers. Not only is it a great cover in its own right, but it cleanses the palette nicely from that unfortunate Jessica Simpson version.
It's was a Ryan Adams kind of weekend for me. First the news that made the Internet kind of explode: Adams will cover Taylor Swift's 1989. Check out this tease for his version of "Bad Blood."
Then watching "Old School" (again) on Saturday evening, I was reminded of the great Adams song, "TO BE YOUNG (IS TO BE SAD, IS TO BE HIGH" that kicks off the movie. And I can't stop listening to it.
I admit, I'm late and slow the the Ryan Adams party. My loss. But I'm making up for it with the old stuff, the new stuff, and evidently, with a coming cover of a Taylor Swift album.
Of course, I won't see them all. And they'll be some not on the list that I will see along the way. With that disclaimer out of the way, here's my 2015 SXSW Music Must-See List. Who's missing from my list? Who will you see at SXSW 2015?
This will be my fifth and Susan's first trip to SXSW. She's been gracious about accepting my showcase suggestions and today, she shared a few good ones of her own, including five from the folk list and one steel drum band.
"I Slept Late," chka-chka-chka guitar, deep in the holler vocals and-out of-nowhere the horns with a tinge of Mediterranean twirl: Delany Davidson makes my SXSW list.
Lots of songs about sleep and sleeping too. Never a bad thing. "Sleeping Woman,":
I've been a fan of American Aquarium since my friend Kevin saw them live a few years back and sent me a couple of their CDs. A few years ago, the band recorded a great Daytrotter session with a cover of one of my favorite tunes, Miss Ohio. They make my "want to see" SXSW list for 2015.
Now this is more like it. If I'm looking for a gospel act, my tastes run to those groups likely to rattle the rafters. I think The Jones Family Singers qualify.
With a a few exceptions, this is my first time going going to SXSW without any hard/fast must-see artists. Looking to stretch the my schedule to check out bands and singers from a range of genres, like gospel. Starting my list with Kirk Franklin.
Congratulations to Rosanne Cash who earned three Grammys in the preshow awards: best American roots performance, American roots song and Americana album.
Bob Dylan didn't have to sing to make an impact at Friday's MusicCares ceremony. Jack White, Bruce Springsteen, Bonnie Raitt, Beck and Neil Young were among the artists providing the musical tribute.
Lots of great #Grammy and music-related features on CBS Sunday Morning today. This feature on legendary rock photographer Henry Diltz brought we directly back to the 1960s.